In Durham’s burgeoning underground EDM scene, The Fruit is quickly becoming the life of the party.
In many ways, Wong Kar-wai’s “In the Mood for Love” is the first real movie I’ve ever watched.
On “Mariposa AR” are several stories of immigration to Durham.
On Thursday, Feb. 20, the Center for Documentary Studies held a book launch for photographer Jessica Ingram’s “Road Through Midnight: A Civil Rights Memorial.”
This fall, Duke will introduce a new major concentration and minor within the Visual and Media Studies major: Cinematic Arts.
From Klein bottles to community, the Triangle’s ceramics artists can build just about anything.
In brief glances and lovelorn sobs, “Portrait of a Lady on Fire” finds a passion that transcends time and burns brighter with each day.
Ekwa Msangi’s feature film, “Farewell Amor,” premiered at Sundance Film Festival Jan. 25.
Duke alumni made a splash at Sundance this year — many of the films in competition were acted, directed and produced by Duke graduates now working in the industry.
Among the canon of soft-rock singer-songwriters of the ‘60s and ‘70s, Carole King seems out of place.
In “Enhanced,” Maxwell partnered with Duke Theater Studies to reveal the complexities of institutional culture and human nature.
In recent years, the world of ballet has been increasingly scrutinized for its inaccessibility and lack of diversity, but Les Ballets Trockadero de Monte Carlo has been keeping the art on its toes since the 1970s.