'This Is Why' I will always be a Paramore fan
By Charlotte Joyner | March 3, 2023Paramore’s long anticipated album was a welcomed and highly anticipated comeback for the band’s fan base of former (and current) angsty teens.
Colleen Hoover: Booktok’s most divisive author
By Anna Chen | March 2, 2023YouTube reviews, bluntly titled “i read the 5 most popular colleen hoover books so you never have to” and “i read 3 colleen hoover books and my life has been changed... for the WORST,” beg the question: what makes the work of Colleen Hoover so controversial?
'Looney Tunes' is the best to ever do it
By Rhys Banerjee | February 17, 2023“Looney Tunes” has evolved throughout the latter half of the 20th century to become a cultural icon and the epitome of animated greatness.
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Hurt and intimacy in Park Chan-wook’s 'Decision to Leave'
By Annie Zhang | February 14, 20232022's South Korean Oscar-nominated movie is a viscerally emotional, destabilizing romantic thriller with an ending that you’ll never be able to forget.
CULTURE
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MUSIC
Lil Yachty made a psychedelic rock album and it’s pretty good
By Rhys Banerjee | February 13, 2023“Let’s Start Here” is Yachty's fifth studio album and as the name implies, it marks the beginning of a new era — one that came out of nowhere.
CULTURE
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TV
A Spoiler-Free Review of ‘The Last of Us,’ HBO’s newest must-watch zombie apocalypse series
By Alex Berkman | February 10, 2023Nonetheless, due to the strong acting of Pascal, Ramsey and many well-regarded actors in recurring roles, I feel confident that “The Last of Us” will not flop.
CULTURE
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MOVIES
Blockbusters to see in the first half of 2023
By Zev van Zanten | February 8, 2023As always, this new year brings with it a new roster of movies to watch.
CULTURE
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TV
‘Good trash’: ‘Ginny & Georgia’ reveals redeemable cringeyness
By Charlotte Joyner | February 7, 2023Is it enjoyable to watch? Depends. Is it entertaining? Certainly. Would I recommend “Ginny & Georgia” to someone else? Sure, why the hell not.
CULTURE
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MOVIES
I’m not Elle Woods, and we’re both fine with that
By Audrey Wang | February 3, 2023It took me a lot of time to love being a woman because I was always terrified that I would never be taken seriously as one.
CULTURE
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MUSIC
Miley Cyrus embraces self-love in new era
By Anna Chen | January 27, 2023The year is 2023, and Miley Cyrus is back.
CULTURE
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MOVIES
'Sigma cinema' and why he’s literally me
By Audrey Wang | January 25, 2023If you go to Letterbox right now and search “literally me,” you’ll find that “literally me” can mean everything from ax-murdering Paul Allen to Huey Lewis and the News to making meth in your RV.
CULTURE
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MUSIC
What Recess listened to in 2022
By Sasha Provost | January 23, 2023Here at Recess, we take our Spotify Wrapped seriously.
CULTURE
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TV
An earnest plea to start HBO’s 'The White Lotus'
By Alex Berkman | January 23, 2023It is also worth mentioning how beautiful "The White Lotus" is.
CULTURE
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TV
Netflix’s trivia show ‘Triviaverse’ is uninventive and uninspired
By Zev van Zanten | November 30, 2022I found both the presentation style and the actual content to be very lacking.
CULTURE
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MOVIES
'Black Panther: Wakanda Forever' is a thrilling ride, but it deeply misses Chadwick Boseman
By Zachary Partnoy | November 30, 2022“Black Panther Will Return,” the credits tell us, in a phrase usually reserved for James Bond. But should she?
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Elon Musk and the no good, very bad social media meltdown
By Jules Kourelakos | November 28, 2022Maybe this is how social media can evolve into something better.
CULTURE
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MOVIES
Not all is quiet on the western front
By Zev van Zanten | November 18, 2022Even with the more modern cinematography, the score, and some minor plot tweaks, “All is Quiet on the Western Front” (2022) does not add much of significant value, essentially repeating the works that came before it.
CULTURE
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MOVIES
'Amsterdam' review: The stars do not shine
By Zachary Partnoy | November 17, 2022I take no pleasure in coming away so unsatisfied from this film.
CULTURE
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MUSIC
‘Midnights’ hits different: Taylor Swift's 10th studio album marks a triumphant return to pop
By Sasha Provost | November 15, 2022While “Midnights'' does mark Swift’s departure from the indie-adjacent albums that have dominated the last few years of her career, Swift’s trademark lyrics and heart-wrenching bridges remain.
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Missing out on Drake and 21 Savage's new album is not your loss
By Amanda Niza Gonzalez Mejia | November 14, 2022Throughout the album, 21 feels like a paid 'street' emblem Drake desperately wants to brag about rather than a true collaborator.