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It is a normal Tuesday evening commute — until, as I stare out the smudged windows of the C1, I notice something peculiar: A man is watching me.
The Murphy-Nimocks Meditation Garden at the Student Wellness Center has always been a rejuvenating environment for students seeking space to simply breathe.
Jackson Prince, Trinity ‘19, knows he’s an insider to the entertainment industry.
From sex and money, to gender and sexuality, to bigotry and empathy, to loneliness and betrayal, there are certain topics that are undoubtedly hard to discuss.
This year, the North Carolina Latin American Film Festival turns 34.
In a world where Spotify’s algorithmic curation threatens to limit the environment of musical exploration to our earbud-attached phones and laptops, the Fall Record Fair encourages communal exploration of music you can touch.
With so many events going on every week at Duke, it can be hard to keep track of what is happening and when. One event that might be on your radar, however, is DEMAN 101.
How do we responsibly depict marginalized peoples’ narratives, particularly those of immigrants, who by necessity must often remain anonymous?
Read on and click through to enjoy our top five stories from September.
The Spanish verb refugiarse is reflexive, which means it is a verb done to oneself — in this case, seeking shelter or refuge for oneself.
A flood of parents wearing sun visors and their sprightly children trickled into a large grassy opening in the Sarah P. Duke Gardens last Saturday morning for the debut of the Blooming with Books festival.
Recruiters from leading media companies will be available to connect with students at Duke’s annual Media-Ville.
Aguilar Ruvalcaba’s “A Talk about Turtles” is the first Ruby Friday event of the new school year, and the artist came to Duke to discuss his work complemented by his own exhibited art. Ruby Fridays invite artists to Duke to share their work and careers in the Ruby Lounge, and this year they will occur every Friday at 12 p.m.
Fittingly enough for a modern-day Renaissance man, Jimmie Banks lists Leonardo da Vinci among his chief artistic heroes. In addition to being an exhibiting artist at the Rubenstein Arts Center, Banks is a Duke Facilities Management electrician of 22 years, a former head cook of a barbecue restaurant, a breakdancer and a friend to everyone he meets along the way.
The American South is an ever-changing landscape, its growing communities and dynamic businesses pushing the region away from strict definitions.
To Marshall N. Price, the Nasher Museum of Art’s newest exhibition is “a paradigm-shifting exhibition in many, many ways.”
The rhythm and blues artist Mavis Staples — a “staple” of American music — is set to perform at the historic Carolina Theatre, returning with Duke Performances Oct. 3.
From Haitian Creole to modern dance, Gaspard Louis has a history of bringing his languages to the Duke community.
So begins a champagne and shackles night in Maria Kuznetsova’s first novel. In “OKSANA, BEHAVE!” Kuznetsova, Trinity ‘08, stitches a loosely autobiographical narrative, seeing Oksana through the turbulence of her immigrant childhood, and into her independence after she graduates from Duke.
In a classical music culture that recognizes composers as male, white and dead, Florence Price, a black woman, is certainly an anomaly. Her resilience amid a difficult life has resonated with a new generation of listeners, including Duke faculty, staff and students.