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Walking into “Ocean Room,” a life-size dome of video projections, is a full sensory experience. The visitor begins in a dark room, lit only by the massive ocean mound and filled with the sounds of crashing waves.
In Duke dance classes, Natalie Gilbert is not the ballerina. She’s the pink-haired musician perched on an extra cushion on a black piano bench in the glass cube at the front of the Rubenstein Arts Center.
Among the many flyers posted on the hundreds of bulletin boards around the university, one acronym that could be mistaken for a party is actually a lecture series in the humanities: the John Hope Franklin Humanities Institute’s “tgiFHI” series.
When Aaron Greenwald first came to Duke, Duke Performances was a newly formed arts organization creating local programming. Over the next 12 years, he transformed it into a world-class arts presenter.
The 21st century technological evolution has promoted visualization and digitization for historical representation. As more materials become available to the public, the possibilities and opportunities for increasingly comprehensive research have grown, as evidenced by a recent Nasher event.
For the first time, an exhibition seeks to highlight the way artists from across the American continent have grappled with “Pop art” — a term that reflects both the noun “popular” as well as the verb “to pop.”
For those in low spirits due to the wintry weather and the renewed drudgery of classwork, fear not — Duke’s own Hoof n’ Horn is making spring come early this year.
A new exhibit at the Rubenstein hopes to use art and storytelling to address solutions to major women's health problems.
This spring, the Chicago-based collective Manual Cinema is bringing an art form to campus that tends to be overlooked with regard to live performance: puppetry.
The Rubenstein Arts Center opened one year ago, and it has introduced a number of new programs since then.
With the rapid spread of images through avenues like social media, it can be easy to take photography for granted today. Yet at the turn of the 20th century, this new medium of art was just coming into existence — and how it would be manipulated and utilized remained unclear.
Climate change is a topic that is at once impersonal and urgent. Although nearly every successive climate change report seems to pull the due date of impending calamity ever closer to the present, climate change coverage has refrained from politicizing the issue, often turning to a small handful of the big players, like national governments.
Fans of "Serial" and "The Daily" can make their own podcasts in a new DukeCreate workshop.
Although bookbagging has come and gone, some studentsspend the first couple weeks of the new semester continuing to shop for courses. Whether you’re considering dropping that chemistry lecture or just want to keep courses on your radar for a future ALP credit, here are some of the most interesting arts-related courses that started on Wednesday.
For some, it can be difficult to engage in the arts at Duke. Heavy class loads, career-oriented extracurriculars and burgeoning social lives make it difficult to explore the vast array of screenings, exhibits and workshops around campus, all free to students.
At 88 years old with nearly 60 years in the film industry, Jean-Luc Godard remains at the cutting-edge of cinema. His newest film, "The Image Book," or "Le Livre d'image," was the first film to ever receive a Special Palme d'O' at Cannes 2018.
With a Top 10 medical school and substantial pre-health advising office, Duke certainly has a stake in the field of medicine. A new program hopes to bring other disciplines into the medical field.
One of the more solitary liberal arts, poetry tends to keep a low profile. Although Duke may not offer a creative writing major, its student body and faculty contain numerous avid poets. This was literary talent was evident at the Salon, an annual public poetry reading organized by The Archive, the university’s primary literary magazine, Saturday.
Duke unveiled President Richard Brodhead’s portrait for the Gothic Reading Room Nov. 2. The painting was done by Bob Anderson, a classmate of Brodhead’s at Yale, who has also painted President George W. Bush on three occasions.
“America is aspirational. To me, Obama is what we would like to be, [but] Donald Trump and his supporters are what we are,” said actor D.L. Hughley on “The View.”
