Hurt and intimacy in Park Chan-wook’s 'Decision to Leave'
By Annie Zhang | February 14, 20232022's South Korean Oscar-nominated movie is a viscerally emotional, destabilizing romantic thriller with an ending that you’ll never be able to forget.
The independent news organization of Duke University
2022's South Korean Oscar-nominated movie is a viscerally emotional, destabilizing romantic thriller with an ending that you’ll never be able to forget.
As always, this new year brings with it a new roster of movies to watch.
It took me a lot of time to love being a woman because I was always terrified that I would never be taken seriously as one.
If you go to Letterbox right now and search “literally me,” you’ll find that “literally me” can mean everything from ax-murdering Paul Allen to Huey Lewis and the News to making meth in your RV.
“Black Panther Will Return,” the credits tell us, in a phrase usually reserved for James Bond. But should she?
Even with the more modern cinematography, the score, and some minor plot tweaks, “All is Quiet on the Western Front” (2022) does not add much of significant value, essentially repeating the works that came before it.
I take no pleasure in coming away so unsatisfied from this film.
Morgen has no illusions about the impossibility of a definitive take; his recognition of that allows his film to be more personal.
Bridging the gap between two cultures divergent in their expressions of love, “Everything Everywhere All At Once” is an Asian story told through American sensibilities.
“Pumpkin Everything” is gloriously baked — like a good ole pumpkin pie — in everything that’s hilariously sugary and sweet.
“See How They Run” seems to provide emphatic further proof that murder mysteries are making an impressive comeback in modern movies.
The days of the low budget, acting dependent, niche biographical film are long gone. Let me introduce the newest bankable genre: the biopic.
The film — with its unpretentious, if indulgent, focus on the meaning of story — arrives at the perfect moment, and has made me wish for more perspectives like it.
The nauseating parallels between Hong Kong’s 1989 democracy protests and the 2019 Anti-extradition Law movement have blurred the lines drawn by time.
“Our Father” delves into the raw emotional impact of the revelation — the identity crises of the children and the distress of their parents upon finding out the news.
Simply put, “The Batman” is excellent, with near-perfect casting, stunning cinematography, deft comic adaptation and shrewd directorial decisions
Think of the value of three years of Duke tuition. Now imagine being in debt for that much. Not because of student loans — that would be too easy — but because of a Tinder match.
This year, Netflix is placing its hopes in Jane Campion’s “The Power of the Dog'' to take the big prize home, and after watching it with Duke Screen/Society, it’s easy to see why it’s a favorite.
If you ask me, Jan. 20 should totally be a national holiday.
There is a certain type of magic in the air during the holiday season that makes the unbelievable seem more reasonable — such as the laughably unrealistic plots to Hudgens’ Christmas movies. During Christmas time, it somehow all makes sense — once you understand it is best not to ask any questions at all.