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The Nasher Museum will soon welcome its new director Trevor Schoonmaker, the current deputy director of curatorial affairs and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.
Hello class, I hope this email finds you well during these uncertain times. Ahead of the April 27 deadline, I would like to recommend that you take my course S/U. Please do NOT take this class for a grade.
Now that quarantine has forced most of our social interactions online, some Duke students have found unique ways of strengthening connections during this period of isolation.
When she received the March 10 email from Duke administration, announcing the extension of Spring Break and the transition to remote learning, senior Christine Yang’s first thought was whether Street Medicine’s annual showcase would go on.
The world of “The Roadkill Club” is not quite like our own.
As soon as she walked in, Retta began joking about the radical changes at Duke since her graduation in 1992.
Classical music has a problem. Its audience is mostly white, educated, wealthy, and old
If you’ve walked through the Chappell Family gallery in Perkins Library any time recently, you’ve probably noticed it: the big colorful arrows and ribbons on the walls, the twisting wires and strange diagrams galore.
On Thursday, Feb. 20, the Center for Documentary Studies held a book launch for photographer Jessica Ingram’s “Road Through Midnight: A Civil Rights Memorial.”
This fall, Duke will introduce a new major concentration and minor within the Visual and Media Studies major: Cinematic Arts.
In “Enhanced,” Maxwell partnered with Duke Theater Studies to reveal the complexities of institutional culture and human nature.
It’s not easy being a new artist. Finding an audience and dedicated listening base requires a whole lot of networking and positive word of mouth.
You could call GOVERNANCE. a band, a performance art duo or a “speculative cyber-performance and bio-memetic product design agency,” as its website brands itself.
This year, smoking policies are changing on both the federal and campus level.
In Titus Kaphar’s “Behind the Myth of Benevolence,” Thomas Jefferson exists on a five-foot canvas, but the black woman seated behind his likeness indicates a bigger picture.
The hushed three-part harmonies of Durham-based indie band Mountain Man grew out of a college dorm over 10 years ago in rural Vermont.
If you peer into the glass windows connecting the Rubenstein Arts Center to the outside world, you might notice an arrangement of six armchairs, each connected to its own pair of headphones and microphones, facing outward into an otherwise open space.
Debates surrounding reproductive rights have been prominent in politics since the mid-20th century.
The organization’s homepage on the DukeArts website is clear: “We show movies.”
In November 2019, Liberation Station’s Black Lit Library finally settled into its new host location at the Sarah P. Duke Gardens.
