The independent news organization of Duke University
When Ariana Grande dropped “Positions,” an R&B-embellished pop album in the vein of her debut record, “Yours Truly” (2013), it shocked the world to the tune of one million likes on Twitter.
From the ninth floor of the hospital, you can see really far off into the distance.
All of this makes her 2010 album “Teenage Dream” feel like a long, long time ago. That album, released almost exactly 10 years before “Smile,” was supported by an unbelievable run of five chart-topping singles, a record that Perry shares with Michael Jackson. The stark difference between these two albums begs a simple question: What happened to Katy Perry?
“Folklore” is free to explore a vast array of settings and characters like a sonical storybook, earning itself the distinction of being Swift’s best album yet.
My eyes are blurry, and I can’t really tell where my phone screen ends and the darkness begins.
Conan Gray is lonely. A global pandemic has him isolated at home, surrounded by the comforts of musical instruments and Taylor Swift and Lorde posters.
If you’ve walked through the Chappell Family gallery in Perkins Library any time recently, you’ve probably noticed it: the big colorful arrows and ribbons on the walls, the twisting wires and strange diagrams galore.
On “Mariposa AR” are several stories of immigration to Durham.
I really tried to have an open mind when first listening to “Changes,” but Justin Bieber certainly doesn’t make it easy.
It’s not easy being a new artist. Finding an audience and dedicated listening base requires a whole lot of networking and positive word of mouth.
Dozens of vendors gathered in downtown Pittsboro for North Carolina’s annual PepperFest.
