In brief glances and lovelorn sobs, “Portrait of a Lady on Fire” finds a passion that transcends time and burns brighter with each day.
Duke alumni made a splash at Sundance this year — many of the films in competition were acted, directed and produced by Duke graduates now working in the industry.
Ekwa Msangi’s feature film, “Farewell Amor,” premiered at Sundance Film Festival Jan. 25.
Among the canon of soft-rock singer-songwriters of the ‘60s and ‘70s, Carole King seems out of place.
In “Enhanced,” Maxwell partnered with Duke Theater Studies to reveal the complexities of institutional culture and human nature.
In recent years, the world of ballet has been increasingly scrutinized for its inaccessibility and lack of diversity, but Les Ballets Trockadero de Monte Carlo has been keeping the art on its toes since the 1970s.
On Feb. 10, at the Bernie Sanders rally in New Hampshire, The Strokes announced the upcoming (April 10, to be exact) arrival of their newest album, “The New Abnormal.”
Benedict Cumberbatch seems to be steadily making his way through the 20th century.
“The Painter and the Thief” follows the shocking meeting and budding friendship between an artist and the thief who stole her paintings.
The language of “optimization,” of constantly bettering ourselves as if we exist on a linear spectrum of quality, is, like Goop’s very existence, embedded in capitalism.
It’s not easy being a new artist. Finding an audience and dedicated listening base requires a whole lot of networking and positive word of mouth.
Durham’s Hayti Heritage Film Festival is one of the nation’s longest-running Black film festivals. This year, the lineup includes the breakout work of Duke alumna Sade Abiodun, Trinity ‘18.