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The quest for good noodles in Durham can lead you down various paths, including Juju on 9th Street and Dashi downtown.
I tend to discover music in one of two ways: either from the usual cycle of new releases and album reviews, or from a chance trip down the rabbit hole of Spotify’s related-artists feature.
Over the last few years, the #MeToo movement has made an evident impact on the film industry, working to root out the most dangerous in this creative realm.
The SWAT van parks and eight burly agents file out in silence.
This year, the North Carolina Latin American Film Festival turns 34.
The film-length revival of the hit TV series capitalizes upon what audiences know and love about the show while taking minimal risks to bring something moderately new to the table.
The deaths of music greats can bring about a serious sense of grief for someone you probably only know about as much as Rolling Stone will divulge.
The game is an effective outlet for us to vent our daily frustrations wrought by a world that restricts us from wreaking total havoc.
Earlier this year, Big Thief transported us to the lush mountain greenery of rural Washington.
It’s that time of the year again: the red carpets are being rolled out and the celebrities are being suited up.
When I walked into Theater for a New Audience at Polonsky Shakespeare Center this past summer, I couldn’t help but wonder what “new audience” it was referring to.
In a world where Spotify’s algorithmic curation threatens to limit the environment of musical exploration to our earbud-attached phones and laptops, the Fall Record Fair encourages communal exploration of music you can touch.
Nadia Shanaa is a Palestinian, hijab-wearing, Virgo energy-radiating character from “Elite,” a show that Vulture aptly described as “Netflix’s best horny teen drama.”
With so many events going on every week at Duke, it can be hard to keep track of what is happening and when. One event that might be on your radar, however, is DEMAN 101.
Are you or a loved one a former or current pre-medical student at Duke University? This new program may be right for you.
The Avett Brothers’ new album, “Closer Than Together,” is a musical roller coaster of ups and downs.
From ”Friends” to scrunchies, our obsession with ‘90s popular culture is no secret, but the steady rise of zine festivals in the past few years suggests that the era’s counterculture is in resurgence, too.
How do we responsibly depict marginalized peoples’ narratives, particularly those of immigrants, who by necessity must often remain anonymous?
Several weeks ago, I made the glorious choice to show my friend the very first episode of “Fleabag,” the British comedy-drama written by and starring Phoebe Waller-Bridge as the eponymous Fleabag.
The cultural discourse surrounding mental health seems to perpetuate and welcome the worst baseline. And when the baseline is disrupted, it feels nearly impossible to reset.
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