CULTURE
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MUSIC
Florence + The Machine
By Ross Green | November 10, 2011Florence + The Machine have something to prove, and they won’t be denied.
Florence + The Machine have something to prove, and they won’t be denied.
As a native Californian I’m ashamed to admit that I’ve never been to Coachella, but I’m willing to wager that Moogfest weighs favorably on a comprehensive quality scale.
Some things enjoyable on their own are more interesting when combined.
One of the earliest words attached to Bjork’s music was “experimental”—a dubious category that includes artists as disparate as John Cage and Frank Zappa.
Alexi Murdoch’s headlining set next Saturday at Reynolds Theater will mark a return to familiar ground for the acoustic troubadour.
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It’s difficult to discuss Girls without mentioning the backstory of frontman Christopher Owens. Raised by a single mother as a member of the extremist cult Children of God, Owens never spent a...
The Smiths are bona fide rock heroes to a certain class of music listener—Morrissey’s wry observations and oblique narratives served as the textbook for a generation of young songwriters better at...
When “How Deep Is Your Love?” dropped earlier this summer, you would have been forgiven for prematurely penciling In the Grace of Your Love into the 2011 year-end lists.
Establishing a consistently pleasing aesthetic treatment of your band’s sound is never easy, especially for LP number seven.
YACHT is an old moniker—one Jona Bechtolt has recorded under since 2002—but the project didn’t take off until 2009.
Lady Gaga’s recent notoriety revolves more around her garish outfits than the merits of her music; this we take for granted.
Bon Iver, Bon Iver is a superficially beautiful album.
You might think, after hearing Circuital’s first track, “Victory Dance,” that My Morning Jacket have returned to the moody psychedelia of their 2005 album Z.
When it comes to breaking up, the world of indie rock usually responds like the rest of us.
Merrill Garbus, aka tUnE-yArDs, calls herself “new kind of woman.” She’s not afraid to use alternating caps, sings ambivalently of sex and violence, plays the ukulele and makes a kind of pop that...