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Jammin at Bonnaroo

(07/23/03 4:00am)

"Booonnnnarrrooooo . . ." I screamed in a piercing coyote-like tone into the pitch-black Tennessee sky. My head hung triumphantly out of the window of the black overcrowded Suburban packed with tents, sleeping bags, and junk food, while cigarette smoke congested any remaining air space. Twelve hours after we had set out for bible-thumping Manchester, Tennessee, my friends and I naively thought that our journey was just about over. It wasn't.


Pretty Girls Make Graves

(02/06/03 5:00am)

I have to admit that I didn't know what to expect from an alleged punk band with no previous full-length releases and a name derived from a Jack Kerouac autobiography. At first, only melodic synth tones unpretentiously rise and fall just long enough to get used to its temperate pattern. Suddenly though, a sonic wall of distorted guitar riffs, crashing cymbals, melodic shouts and systematic basslines blast straight through all of your predispositions. All I could think was, "Who the hell do these guys think they are?" After my inoculation with Good Health, I figured it out: Pretty Girls Make Graves are unquestionably unique, flagrantly technical, and not at all "punk."


Phish: A New High?

(01/16/03 5:00am)

The vibrant throngs had amassed in front of Madison Square Garden five hours before the doors were scheduled to open, cascading over steps and railings well into a habitually busy 38th Street. A myriad of desperate and ticketless fans--many offering upwards of 3,000 smackers or even their sister--scoured the scene for that ever-elusive extra. Unsurprisingly, no one was willing to sell.