Use the fields below to perform an advanced search of The Chronicle's archives. This will return articles, images, and multimedia relevant to your query. You can also try a Basic search
6 items found for your search. If no results were found please broaden your search.
A brief note; this was scheduled to run in the Exam Breakers' issue, but fell through the cracks of editorial transition. Generously, I have been allowed a spot in the much more widely read Commencement Issue! So here we go:
Hunger strikes--not Gandhi style, but 5:45 on Friday evening style. Food points are low and spirits are high, so the only question is where off-campus to eat. Around 7:00, an agreement is reached. We're going to Torero's.
This Sunday, Drivethru Records' Invasion tour is hitting the Cat's Cradle with a five band marathon headlined by the suburban Pennsylvania punk foursome, The Starting Line. Also on the bill are Drivethru Records bands, Allister, Homegrown, Senses Fail and The Early November.
For some reason, people are more likely to see a band if it costs them money. While Cameron Indoor Stadium doesn't have enough seats to satisfy demand for $20 tickets to see dubiously talented Ludacris, the WEL quad (with room for thousands) saw 250-ish students arriving to hear North Carolina natives Jump, Little Children, who a few days earlier played to a capacity crowd at Cat's Cradle.
More than a few freshmen turned out for their first display of campus activism today, the rally to oppose war on iraq. The existence of the "movement" is heartening; the student body is aware of international happenings and are willing to voice their opinions in an attempt to effect change and national policy. Whether students are for or against war on Iraq, it is evident that most of us at least have some opinion.
Put down this paper and go get your grubby little paws on Karate's Some Boots. A three-piece group that could stand being a four-piece, Karate is a shining example of "regressive" jam-based rock--music that gets back to its roots in the jazz and blues styles of the earlier portions of last century, while still retaining the distinct flavor of a "contemporary" guitar-vocals-bass-drums ensemble.
