Artist Livia Stein confirms that simplicity in art can be very provocative.
In the exhibit "Personal Archaeology," she finds inspiration in the simple shapes which constitute the rudiments of civilization. The artist utilizes geometrical forms, collages and a fascinating array of pure and emotive colors to appeal to her audience. In the exhibit's current location in the Louise Jones Brown Gallery, the viewers' positive reactions to these elements are evident in the enthusiastic comments written in the guest book.
Stein's color scheme is perhaps the greatest enhancer of the visual experience. The rich hues that adorn even the frames are the principal component of the works. The colors involve the figures in a rhythm that reaches out to the spectator as the eyes dance around the confines of the bright canvas.
Figuration is an integral part of Livia Stein's art. Home images, three legged pots, drums, leaves and dinner tables can all be found throughout the works in the exhibition. Like her color scheme, the shapes of the objects convey the message of the simple origins of humankind. Furthermore, all the objects depicted represent inventions that, whether modified or intact, are still in use today.
By figurative means, the artist reiterates the importance of pre-historic technology in our modern age, thus reminding us not to obliterate the genius of our primitive past. "Personal Archaeology" appears to be an artistic tribute to the origins of human civilization.
Stein effectively uses collage as another pictorial device. Historical images such as the Temple of Luxor, a Muslim ruler and the representation of an early form of life, clearly convey the message of Stein's interest in humankind's forgotten past. It is a very simple and accurate depiction that carries a lucid message.
The combination of bright colors, the simplicity of the figures and the movement that together they create expresses an incredible amount of contagious happiness.
Stein's "Personal Archaeology" appeals to a broad audience, though the works do allow for differences of opinion. The ever-so-heated controversy about art by metamorphosis does not seem to apply in this particular case because the objects are not taken out of their original cultural contexts.
The artist clearly asserts in her written statement that she "is searching for some understanding of how our society, and the world society at large, has reached this point." She is successful in revealing the contrast between the origins of civilization and the modern world.
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