Editor's Note, 12/4
By Katie Fernelius | December 4, 2014Those with the biggest stake in addressing the challenges of our times have the least access to platforms for their art to be seen, heard, read and paid for.
Those with the biggest stake in addressing the challenges of our times have the least access to platforms for their art to be seen, heard, read and paid for.
Not holiday songs, but songs for your holidays.
The rise of “normcore” has overshadowed the fact that humans are incredibly willing to consume strange culture that deviates from the standard.
Just be grateful that this playlist wasn't ten different iterations of "Baby, It's Cold Outside."
The muscles of our imagination merely atrophy as long as we continue to define our real experiences through images.
One of the few instances in which Azealia Banks and the Sunbears! can be found on the same playlist.
I suddenly had serious doubts about my post-Duke future.
We need to initiate a movement towards bringing back individual involvement in democracy, before voting joins jazz as a relic whose golden age is in the past.
This is what Recess is listening to this week.
The overwhelming narrative is that men have mental illness, while women become their mental illness.
While I cannot possibly hope to give you a comprehensive formula to make the ideal soundtrack for getting down and dirty, I can give you some basic guidelines.
The role of a critic is, at its essence, an occupation for someone who loves culture and, more importantly, loves talking about culture.
Recess tells you what tunes are worth a listen this week.
If performance art stimulates an immediacy of experience involving greater human engagement, then why do we persist in walking away?
It’s really difficult for me to remember the last time I paid for music.
Celebrate grrrl power and Hispanic Heritage Month in one playlist.