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In June, Duke announced that John Brown, Duke’s Jazz Program director and longtime professor would be Lindroth’s successor.
The Power Company closed in 2000 when the owners transitioned the space into Teasers Men’s Club, but former frequenters regularly share music, photos and memories that ensure its legacy endures.
The highest bidders in The Patchwork Market’s Instagram auctions win hand-crafted prizes, but founder Morgan Grimm’s hope is that the featured makers come out victorious, too.
Owner Allie Labate always intended to use VYB Studio as a space that helped and supported the Durham community — she just didn’t anticipate doing it amid a global pandemic.
In Durham’s burgeoning underground EDM scene, The Fruit is quickly becoming the life of the party.
From Klein bottles to community, the Triangle’s ceramics artists can build just about anything.
In recent years, the world of ballet has been increasingly scrutinized for its inaccessibility and lack of diversity, but Les Ballets Trockadero de Monte Carlo has been keeping the art on its toes since the 1970s.
In a 2005 commercial, my mother turns to the camera and beams, “My child wants to be an artist.”
There’s plenty of brilliance to be found in the Triangle’s local arts scene, but Bright Black Candles and Bougie Luminaries contribute more literally than most.
Durham’s creative collective Mettlesome specializes in improv comedy, but they’re certainly no joke.
Dr. Scott Lindroth is stepping down as vice provost for the arts to return full-time to teaching and composing.
Have you tried riding one of the new electric scooters that popped up on Duke's campus this year? Managing Editor Nathan Luzum tried one out for the first time and brought us along for the ride. This is part one of a two-part series by The Chronicle about the electric scooters. Part two compares the speed of the two types of scooters on campus. Hosted by Nathan Luzum Videography by Tessa Delgo and Jackson Muraika Edited by Bre Bradham
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