“The exhibit is definitely a critique of iconography, but it’s not necessarily a ‘let’s throw it all out the window.’"
It is apparent from the beginning of Baz Luhrmann’s most recent film, The Great Gatsby, that the movie will be a polarizing feature.
Fun to watch and fun to play, but no more than a diversion.
Promoted as a unique combination of theatrical techniques, the play brings the city of Chicago to life using only five puppeteers, videos and an intense soundscape.
Burton just wanted to give us a story about the simple love between a boy and his dog.
This Friday night, Von der Heyden Pavilion will be transformed to showcase the sounds of poetry and smooth jazz...
Hoof ‘n’ Horn is known for immersive shows capable of transporting audiences—to the heart of Egypt in Aida, deep into our fairy-tale fears in Into the Woods or back to the Cold War era in Chess.
For a film based on Alan Glynn’s novel The Dark Fields, about a pill, unlimited brilliance and the nature of the human mind, one might expect Limitless to be similarly ingenious.
There’s not too terribly much one has to do to become a pop star these days.
In the days before the release of the new Liam Neeson movie, Unknown, my thoughts were that it looked like a combination of a lot of spy movies I’d seen—namely, Taken and The Bourne Identity.
