Local artist Stacy Lynn Waddell’s new exhibition UltraSuper—part of the Franklin Humanities Institute’s year-long exhibition series of African American, Caribbean and Diaspora arts—is a dynamic...
With 30 Americans, the North Carolina Museum of Art enriches the local dialogue on contemporary art by African-American artists.
Hank Willis Thomas has, in his short career, branded our collective memory with his stunning and evocative imagery. With a keen sensitivity to the impact of visuals and visual history, Thomas...
Adam Kotsko’s short book hinges on a popular, perfunctory interjection: “Awkward!”
It is being called a PR nightmare. Karen Owen’s PowerPoint, a teenager almost dead in a port-a-porty, a slew of misogynistic e-mails published on the internet and around the campus.
The logic of Durham dining is a bit bourgeoisie. Magnolia Grill is a spore of the fine dining scene.
The Chronicle has a history of being produced by undergraduates. Towerview, this stack of papers affiliated with The Chronicle, has a (much shorter) history of being produced by The Chronicle’s...
Ethnomusicologist Alan Lomax’s 1961 release of southern field recordings, Sounds of the South, is an eight-disc extravaganza of delta blues, gospel and southern folk music entrenched in a rich...
The university publication is a constantly changing entity. At its heart is a group of rapidly changing students putting words, images and designs together into a non-saleable commodity.
