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Aaron Paskin


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Girlpool released their third studio album, "What Chaos Is Imaginary," Feb. 1.
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'What Chaos Is Imaginary' highlights Girlpool's metamorphosis

Girlpool have already outgrown the minimalism that both elevated and plagued their first album. Harmony Tividad and Cleo Tucker stripped their debut “Before The World Was Big” down to its most barebones components in an attempt to expose their imperfections. The effort was sometimes clumsy, sometimes earnest and always teenage in its self-sabotaging expression of vulnerability.


Mumford & Sons, pictured performing in 2012, released their fourth studio album "Delta" Nov. 16.
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Mumford & Sons show little change on the sprawling 'Delta'

I sat in the back row of the BB&T Pavilion in Camden, N.J., steady rain showering the fans on the lawn behind me. Marcus Mumford had been pouring his soul into the brooding climax of “White Blank Page” when dark clouds rolled overhead and thunder and lightning sent the band running offstage. For 45 minutes the storm repeatedly teased its retreat until, finally, the sky parted. As quickly as they had left, the band returned to the stage and, as the last sunlight of the day peeked through the grey, Mumford & Sons launched into their soaring anthem “Lover of the Light.”


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