The independent news organization of Duke University
Among the canon of soft-rock singer-songwriters of the ‘60s and ‘70s, Carole King seems out of place.
Due to drill’s barely defined scope, calling it a genre or even a subgenre is dangerous.
I really tried to have an open mind when first listening to “Changes,” but Justin Bieber certainly doesn’t make it easy.
On “The Slow Rush,” Kevin Parker’s fourth album as Tame Impala, he faces the idea of eternity head-on.
On Feb. 10, at the Bernie Sanders rally in New Hampshire, The Strokes announced the upcoming (April 10, to be exact) arrival of their newest album, “The New Abnormal.”
Benedict Cumberbatch seems to be steadily making his way through the 20th century.
“The Painter and the Thief” follows the shocking meeting and budding friendship between an artist and the thief who stole her paintings.
The language of “optimization,” of constantly bettering ourselves as if we exist on a linear spectrum of quality, is, like Goop’s very existence, embedded in capitalism.
On this album, the band reveals how musical innovation means both crossing genre lines and transcending time and regional boundaries.
The Oscars are still very white and very male, but they feel bad about it, apparently.
About a minute into “Jojo Rabbit,” the film’s 10-year-old protagonist has a conversation with his imaginary friend — Adolf Hilter.
Filmmaker Zeina Durra returned to Sundance this year with her newest film “Luxor,” starring actors Andrea Risenbourgh and Karim Saleh.
Aneil Karia made his Sundance Film Festival debut with “Surge,” a psychological thriller that stars Ben Whishaw as Joseph, a troubled young man who lives an isolated life in London as an airport security officer.
Now that rap has overtaken rock as the most profitable genre, it is reasonable to view hip-hop as its own economy.
Although it may be disappointing that Eilish gobbled up nearly every award in sight, it’s encouraging to see a new vanguard of artists winning at the Grammys.
Anyone who knows me knows that I bear what some might describe as an alarming allegiance to Cleveland, Ohio, the city I call home.
In his brief career, Jahsen Onfroy, or XXXTentacion, quickly became a source of immense controversy.
Once considered one of the most esteemed and coveted prizes a filmmaker could win, the Academy Award’s luster has since dulled under the corrosive influence of time and progress.
You know the feeling. You’re at the movies, probably watching the newest “Avengers” movie or something, and you see a kick-ass movie trailer.
The music of Tchaikovsky’s “Swan Lake” usually evokes an image of a graceful ballerina en pointe.
