The independent news organization of Duke University
After showing great potential with her 2017 EP “RINA,” Rina Sawayama has returned with her debut full-length album "SAWAYAMA" — perhaps one of the best pop records of the year so far.
A good education, respectable job, beautiful home and a nuclear family — these metrics have long been the emblems of success in America.
As each day of the coronavirus pandemic passes by, I find myself gravitating toward classic Hollywood movies, imagining what life would be like on the silver screen rather than behind my computer screen.
As much as I can claim to dislike TikTok or attempt to avoid the app entirely, I still find myself singing TikTok hits like “Roxanne” by Arizona Zervas or “Don’t Start Now” by Dua Lipa.
I’m a first-generation kid, too. I’ve had to grapple with my two identities as an Indian and an American in plenty of ways. “Never Have I Ever” presents that in a powerfully relatable yet comical way.
Despite the hit the music industry is taking from the COVID-19 pandemic, many labels are still pushing out new releases. Some artists, faced with canceled tours and festivals, are finding that they have more time than ever to make music.
From the start, "Fetch the Bolt Cutters" is unmistakably Apple's: the layered percussion, the piano riffs and Apple's clear, purposeful voice are what have always made her music distinct.
The essence of Ed O'Brien's debut solo album “Earth” is reaching your purest self by getting lost in music, nature and the people around you.
Each component of the show — romance, comedy, drama, action and suspense — was given the space to flourish, never leaving viewers wanting.
My name is Karen. Yes, I have that haircut. And guess what? I’m not going to change.
The time is right to reflect on the largely ignored conflict in Memphis, T.N. between Young Dolph and Yo Gotti, perhaps the most bizarre footnote in the genre of the past decade.
No documentary can perfectly represent its subjects, but “Tiger King” seems to play with some questionable ethics.
What defines “Memory Game” is the pronounced inhalation and exhalation of all kinds: high and tight, low and relaxed and slow, quick and hurried.
When I think of “comforting” albums, my mind shoots in several directions. Comfort can mean a lot of things.
What else should you do with the luxury of being stuck at home (maybe even out of work — more free time!) but ignore the need to process your situation and instead set extremely transformative goals for yourself?
Over the last few days, “Future Nostalgia” is one of the few things that has made me smile, one of the few things that has made me dance.
My eyes are blurry, and I can’t really tell where my phone screen ends and the darkness begins.
“3.15.2020,” the fourth album by Childish Gambino, addresses the same fears that “Awaken, My Love!” did, but the approach couldn’t be more different.
On Tuesday, a few days ahead of its slated release date, Sufjan Stevens released “Aporia,” his latest collaborative effort with his stepfather Lowell Brams.
Conan Gray is lonely. A global pandemic has him isolated at home, surrounded by the comforts of musical instruments and Taylor Swift and Lorde posters.
