But though this is no Mezzanine 2.0, it’s also not 101st Window, for which all trip-hop fans are grateful. Yes, Massive Attack is truly back, and with style and flair.
Saxophonist Miguel Zenon is kicking off Duke Performances’ mini jazz festival WAIL! tonight. The Puerto Rican musician, now living in New York, recently ended a sensational decade that in 2008...
The Indo-Pak Coalition, and band leader Rudresh Mahanthappa, will be making their North Carolina debut this Saturday at Duke Performances’s WAIL! jazz saxophone festival. Synthesizing jazz with...
To understand who Ravi Coltrane is, you have to start by understanding who he’s not.
The ever-evolving world of jazz sends one of its brightest young stars to Duke next week. Marco Benevento, innovative pianist and co-founder of the Benevento/Russo Duo, troops with his trio to the...
Despite the sophisticated studio-as-instrument technique, Causers of This is fundamentally a pop album, albeit one dipped in molasses.
Tha Carter is reborn as an ugly, nu-metal baby rocker.
Maybe you haven’t heard his name, maybe you’ve never actually heard his work. But you’ve heard of Gil Scott-Heron.
Jason Moran’s performances this weekend mark the latest collaboration between Duke and one of the most acclaimed pianists and composers in the jazz world. But it’s hardly the the first.
Realism is no radical departure—after exhausting all the stylistic tropes and conventions of pop over the course of their 1999 triple-disc magnum opus.
Unlike troubadors like Jeff Tweedy or Ira Kaplan, their new release Romance Is Boring more evokes their upbeat contemporaries. And it works. Mostly.
Teen Dream is the document of a band maturing and experimenting without abandoning the core of their sound.
A fifth grade teacher at Durham’s Central Park School for Children, Heather Cook has organized the second benefit for arts education at the public charter school. The event is called Save Our Arts.
The Eric Hirsh Trio will be playing at The Republic, the latest addition to Durham’s downtown bar scene. Hirsh will be playing with two guests, saxophonist Ariel Alexander and guitarist Jon Bremen.
Pianist Anton Kuerti has taken his instrument’s practice to another level and is hailed as one of today’s finest interpreters of classical music.
The songs ultimately sound sophisticated and crafted but don’t leave an impression. It’s disappointing entry in the Starbucks Adult Contemporary genre.
Transference is a curious yet satisfying step back into one of indie rock's most consistent band's catalog.
Nothing since Arcade Fire’s Funeral has been as thematically engaging, but even that feels impersonal and unfocused by comparison.
As contemporary culture reappropriates the once-slandered ’80s, La Roux’s debut is an unashamed announcement of her and its arrival.
At the Dec. 9 orchestral performance at Reynolds Industries Theater, ushers will hand out crayons and sing-a-longs will commence, and the audience will be encouraged to keep their phones on to...
