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Raconteurs

(03/27/08 4:00am)

The latest contestant in the recent competition to see who can release their album in the most bizarre way is the Raconteurs, the union of White Stripes frontman Jack White and singer-songwriter-guitarist Brendan Benson. They decided to release sophomore effort Consolers of the Lonely a week after they announced its existence, creating the unusual situation of dropping a record that the public had yet to hear anything from. Their first album, Broken Boy Soldiers, was a moderately interesting yet underachieving exercise in restraint that earned the band a passing grade in Side Projects 101, but on their sophomore effort they finally decide to loosen up and manage to capitalize on some of their considerable potential.


Musician Malkmus reviews Dylan, talks Trash

(03/06/08 5:00am)

Stephen Malkmus has been an incredibly influential figure in music since his legendary band Pavement's first album, Slanted and Enchanted, released in 1991. Five Pavement albums and three solo LPs later, he is still going strong with his band the Jicks. recess' Kevin Lincoln recently took part in a conference call with Malkmus, where they discussed fatherhood, covering Bob Dylan and his latest release, Real Emotional Trash.


the mountain goats

(02/21/08 5:00am)

John Darnielle, leader of the ever-shifting lineup of the Mountain Goats, doesn't just sing his songs. He paints them. His guitar is as much a brush as it is a musical instrument. He peppers the lyrics that tell his myriad stories with subtle illustrations of scenery, describing the sweetness of the air and the effects of a sunrise with the vivid detail of a landscape. This background makes his feverish stories of lovers, depression and borderline insanity all the more poignant and realistic.




Mars Volta

(01/31/08 5:00am)

The Mars Volta manage to bring a new and more bizarre meaning to the word "excess" every time they make an album. Their fourth LP, The Bedlam in Goliath, is no different. The album is so steeped in self-indulgence and masturbatory instrumental theatrics that, over the course of its far-too-long 76-minute run time, it is rendered unlistenable. The music is overstuffed by Omar Rodriguez-Lopez's heavily electronic production, which layers so many careening guitar riffs and crunching, whirring synths over one another that any semblance of melody is non-existent. The songs average an absurd 6:20 length, and to even refer to these individual pieces as songs is a charitable gesture.



natasha beddingfield

(01/24/08 5:00am)

Full disclosure: even before listening to this album, I knew that Natasha could not be my favorite Bedingfield. That honor goes to Daniel, whose classic song "Gotta Get Thru This" will always hold a special place in my heart. That said, Natasha's new album Pocketful of Sunshine does a strong job of keeping the listener engaged and entertained throughout, despite lacking much substance or ingenuity. It truly is a vapid pop record, but as far as vapid pop records go, it keeps the energy high and the majority of the tunes very listenable.