Duke Performances faces a dip in ticket sales
Decreasing ticket sales may lead to a change in programming next year for Duke’s cultural and artistic presenter.
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Decreasing ticket sales may lead to a change in programming next year for Duke’s cultural and artistic presenter.
Music festivals should be completely walkable.
It’s NBA season, finally. This comes with two things.
Ever seen a Bugga Bear?
@CarolynJBreton: hands down best night everrrrrrrrrrrr....thank you @mikeposner and @hobboston :)
Carrboro is not bright lights. Which is why Ben Carr and Geoff Schilling of Last Year’s Men, sitting on a picnic bench in the glow of a single streetlamp, look so fitting: one of the town’s most promising rock bands, lit just-enough in the suburban dusk.
We didn’t give Joe College Day much coverage this year. And there’s a reason for that.
Initially, 3D wasn’t part of the plan. A third movie wasn’t part of the plan. Most of the jokes weren’t part of the plan.
How funny are dildos?
For some reason, it caught on, was accepted much earlier in books and movies. Violence. Vulgarity. Not so much sex, because as everyone knows, sex is drugs is rock and roll.
In a Duke Performances season devoted to music that characterizes “A Nation Made New,” no act might fit this epithet better than Dirty Projectors.
Padgett Powell, Ron Rash, Elizabeth Spencer, Wells Tower. The table of contents reads like some idealized issue of The Southern Review—and there are 21 more names just like that.
Here’s an example of a controlling market share: When Charlie Poole’s recording of “Don’t Let Your Deal Go Down” was released in 1925, it sold 100,000 copies. At the time, there were only 600,000 purchased phonographs in the South.
Sitting in a white wicker chair on the front porch of the Bridges House, home to Duke’s Center for Documentary Studies, CDS Director Tom Rankin knows that the new program he helped pioneer is novel. And he says so: it’s so novel, some people might call it a little crazy.
I’m fascinated by Justin Bieber.
Get Rosecrans Baldwin some Duke basketball tickets.
Every other week, when Brooke’s not holding it down, I’ll be writing an Editor’s Note. I’ll try and use my space to write about things that I think are good. Now, enough about that.
What happens when the curatorial drive of the local alt-weekly grows beyond its physical pages? The nation’s largest music festival, for one, South by Southwest, is run by the Austin Chronicle; the Village Voice’s Siren Festival is a New York City mainstay; and now, Raleigh has Hopscotch, brainchild of the Triangle’s Independent Weekly.
In honor of Durham-based Churchkey Records’ third birthday, Recess’ Kevin Lincoln interviewed Spider Bags frontman Dan McGee. Spider Bags is set to release a single, “(Let’s) Take It Easy Tonite,” on Churchkey this fall.
Drake’s debut LP Thank Me Later—delayed more than once and lustfully hyped—sounds so effortful that you half-expect your iPod to be sweating when “Thank Me Now” drones to a close.