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From a documentary about the Nazi concentration camps to a historical drama about an infamous embezzler to a light-hearted comedy-drama about the effects of terminal illness, Alain Resnais’ work has always been marked by its diversity of both genre and tone.
“Locked Away” by R. City featuring Adam Levine. “I Can’t Feel My Face” by The Weeknd. “Hotline Bling” by Drake. These are songs that we hear every day, whether on our radios, from our friends’ iPods or while we’re out on the town. This is the nature of pop music: familiar, comfortable and profitable.
Story Lab does not look much like a traditional lab. There are no test tubes, no telescopes, no experimenters in white coats taking exact measurements. Instead, it has long tables arranged seminar-style, a whiteboard and superhero posters on the walls. Story Lab is, in fact, not a traditional lab, but rather part of a new, collaborative approach to humanities research.
A whiteboard behind the White Lecture Hall stage read “#Don’tBeNice,” a phrase that members of the audience shouted periodically at Spoken Verb's Fresh Page Open Mic last Friday, reminding the performers that conforming to the typical standard of politeness was less important than being honest.
Tucked behind Crowell, the exterior of the Duke Coffeehouse is entirely inconspicuous. There’s even a sign denoting it “the best-kept secret on East Campus.” Inside, however, the space is all but subtle, the walls adorned with UFOs, dragons, giant cartoon faces and a dozen anthropomorphized waffles, all rendered in nearly garish hues. Other than its outre appearance, the Coffeehouse is also notable as a venue, offering a wide range of musical shows and cultural events unlike anything else found on Duke’s campus.
