Free parking around Duke can be quite difficult to come by. It just got more difficult.
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Free parking around Duke can be quite difficult to come by. It just got more difficult.
This is part two of a three-part series about the raucous history of Duke students burning benches after major basketball victories. Here are part one and part three.
We thank Victoria Priester for her opinion piece in the Chronicle and for making her voice heard on issues of great importance to this campus. We value all our undergraduate majors and minors and take their perceptions of the Duke English Department very seriously.
Duke will travel eight miles down 15-501 Saturday afternoon, searching for its first victory against Tobacco Road rival North Carolina in Chapel Hill since 2016.
It’s always a huge game when North Carolina ventures into Cameron Indoor Stadium.
After struggling to put away a weak but feisty Boston College team for much of the evening, Duke finally pulled away late in the second half for a tough road victory. The Blue Zone gives you three takeaways, stats and looks forward for the Blue Devils:
Amid the current outbreak of a novel coronavirus that originated in Wuhan, China, hospitals throughout the United States are preparing treatment plans for patients infected with the virus. Duke University Hospital is no exception.
Aneil Karia made his Sundance Film Festival debut with “Surge,” a psychological thriller that stars Ben Whishaw as Joseph, a troubled young man who lives an isolated life in London as an airport security officer. Joseph’s simmering disturbances, including his discomfort with social interaction and inability to assert himself, are catalyzed into a chaotic breakdown. The fallout takes him on a violent and metamorphic trip across the city. “Surge” is also Karia’s feature film debut after more than a decade working on short films and television. Karia’s short film “Work” was nominated for a British Academy Film and Television Award (BAFTA) in 2018.
Filmmaker Zeina Durra returned to Sundance this year with her newest film “Luxor,” starring Andrea Riseborough and Karim Saleh. Set in Luxor, Egypt, the film chronicles the trauma of Riseborough’s character, Hana, who is struggling to grapple with her past as a U.K. aid worker. As she rekindles her love with Saleh’s character, Sultan, and explores the city filled with forgotten memories, Hana begins to heal and process her experiences.
On Jan. 26, NBA legend and Academy Award winner Kobe Bryant tragically passed away in a helicopter crash. When news of his death first broke from TMZ, I thought it couldn’t be true. No way could such an iconic basketball legend be taken away from this world so quickly. I could still vividly remember watching him drop 60 points in his last game against the Utah Jazz in arguably the greatest farewell performance of all time, just like it was yesterday. But as the flood of news reports started to come in, I slowly came to accept that it was true — that Kobe Bryant, the Black Mamba, had died. Overwhelmed with sadness and shock, I broke down and cried.
Last semester, I learned about the importance of collaboration in music. Lennon and McCartney, Duke Ellington and Billy Strayhorn and even Billie Eilish and brother Finneas O’Connell exemplify how cooperation is necessary for a prosperous music career. But how does marriage impact collaboration, and how does working together impact a relationship? Married Americana duo Drew and Ellie Holcomb demonstrate that the art of give-and-take is crucial to strengthening all relationships — personal and professional.
Now that rap has overtaken rock as the most profitable genre, it is reasonable to view hip-hop as its own economy. The genre itself operates on a modified boom and bust cycle. There are booms, which see expansion culminate in a peak, and busts, in which rap contracts into a trough.
There’s plenty of brilliance to be found in the Triangle’s local arts scene, but Bright Black Candles and Bougie Luminaries contribute more literally than most. The two companies, both Durham-based family businesses, are built on philosophies of imbuing great care and culture into each of their candles and drawing greater attention to the artistry of candle making. Bougie Luminaries’ founder and creative director Erika Parker-Smith’s affinity for the medium began during childhood, when her Girl Scouts troop made candles out of crayon wax. The spark, she said, ignited then and stuck with her into adulthood. As loved ones fell in love with the candles she’d make them as holiday presents, she saw an opportunity to merge her “eclectic” interests in pin-up art, cinema and fragrances into a full-fledged brand. “Certain fragrances conjure up happy memories, or make you think about a certain moment,” Parker-Smith said. ”When you light a candle, it speaks to your soul.” Each Bougie Luminaries candle is a work of art both visually and olfactorily. In creating fragrances, Parker-Smith is often heavily inspired by her favorite pieces of culture, from “The Wiz” to Lil Jon & The East Side Boyz. Illustrated by Parker-Smith’s husband, Jamaul Smith, much of the brand’s packaging is inspired by pin-up art she grew up loving. “I’ve always admired the illustrations of Norman Rockwell and [Gil] Elvgren, but there were never any women of color in them. And I was like, why is that?” Parker-Smith said. “African-American women particularly get a little beat up by the media, and so [I wanted to be able] to serve as a mirror … showing us in a way that’s loving and tender, or just in everyday life — ways that we don’t always get to see.” Bright Black Candles, co-owned and founded by Tiffany M. Griffin and husband Dariel Heron, upholds a similar mission. The roots of the company began as a date-night activity for Griffin and Heron, whose mutual love of hip hop and burgeoning love for each other gave them the idea to create candles based on hip hop love songs. But as their passion for candle making grew, they began to believe the medium had the capacity for a larger impact. “[Candles] are one of the oldest sources of light on the planet. They transcend cultures, language, geography, race and religion,” Griffin wrote in an email. “The presence of a candle can spark exchange or symbolize solidarity — think vigil, passion, security, warmth, hope, spirituality, new beginnings ... birthday candles, health, protection, blessing, memories, calm.” Griffin, who holds a PhD in social psychology, worked as a researcher and a policymaker in the federal government prior to starting Bright Black. In founding the company, she wanted to “challenge” herself to combine research, data and lived experiences to tell stories through scents — in particular, positive Black narratives. “On a super basic level, I'm creating a positive experience by just pairing the word ‘bright’ with ‘Black’ and then coupling that with beautifully blended scents,” Griffin wrote. “People are having a positive experience before I even say a word. Psychologically, that's triggering thousands of receptors, tapping into memories and creating an opening for dialogue and connection.” Bright Black’s Diaspora collection highlights cities of “Black greatness,” capturing the stories of everything from Ethiopian history in an Addis Ababa candle to the local history of Durham in a candle that blends scents of tobacco, cotton and whiskey. The company just released a Harlem Renaissance candle in honor of Black History Month. “My experiences of Blackness are quite positive and those are the stories I want to tell,” Griffin wrote. “Essentially, we’re telling [those] stories through scent. Scent artistry isn't well-recognized as art, but it should be. After all, what is art? It's sending messages and meaning through some sort of medium. Our medium is scent.” In the future, Griffin hopes to partner with museums to illuminate the potential and significance of scent artistry. Both Griffin and Parker-Smith emphasized a need for greater appreciation of the craft and science that goes into making candles. “People think [candle making is] really simple, but then you talk to them and they’re like, ‘Oh my God, I tried to make candles and I could not get them to come out right,” Parker-Smith said. “There’s a lot more to it than it’s given credit [for] sometimes.” For now, though, their businesses will continue to serve as vanguards for the form’s power. Bougie Luminaries will soon expand their collection of film-inspired scents with upcoming candles inspired by “The Breakfast Club” and “Breakfast at Tiffany’s,” and Bright Black, fresh off of a project commissioned by NorthStar Church of the Arts, will soon release a “Genres” collection in homage to Black music. Long-term, both hope their efforts will improve the narrative around both their artistic medium and Black culture. “Ultimately, I really am working towards a world where ‘Black’ ... doesn't inherently conjure up negativity,” Griffin wrote. “It took hundreds of years to get to this point, but I'm committed to doing my part in dismantling those cognitive associations, one beautiful and brilliant candle at a time.”
When the Rubenstein Arts Center opened Feb. 3, 2018, one of its first exhibits was an installation titled “sound/play/space,” which invited children to play with a “Synthball.” This device, a silicon ball, produced different synth sounds as it was lifted, spun, dropped or moved in any direction. In a short video clip of the exhibit, the children are fascinated by the product, which is just one of several experiments from a speculative agency called “GOVERNANCE, Inc.”
The archetypal Grammy performance is a slow, sad piano ballad. It’s a relatively safe choice for an artist — at worst it’s slightly boring, but when done right it can be transcendental. So it’s fitting that the artist who gave exactly this kind of performance, Billie Eilish, is the one who walked away with all the biggest awards. Safe and well-deserved, it was no surprise that Billie had such a great night, but it made for an anticlimactic ceremony to say the least.
Across Duke, the term “impact” has been used so many times to self-characterize one’s long term goals that it can feel trite. Thus, I wasn’t particularly astounded when I read a recent Chronicle column criticizing impact investing not only as superficial but even harmful, funded by unethical capital sources and used by the rich to deflect accountability.
The Engineering Student Government endorses Tim Skapek for the position of Young Trustee. All four finalists, Tim Skapek, Ibrahim Butt, Leah Abrams and Maryam Asenuga are candidates with incredible potential and have done amazing jobs as on-campus leaders in their four years at Duke. Having listened to each candidate talk about their passions and reasons for running for the YT position, the executive board collectively believes that Tim’s diverse experiences, institutional knowledge of Duke and ability to identify flaws and push through boundaries makes him the best candidate to assist Pratt’s continued advancement and growth as one of the country’s preeminent engineering institutions.
CHESTNUT HILL, Mass.—Most Blue Devil games, you can expect a solid outing from either Joey Baker or Alex O’Connell. But you can’t expect both.
It is with great excitement that the Jewish Student Union has chosen to endorse Leah Abrams for Young Trustee. Her commitment to hearing the voices of undergraduate students, passion for building relationships and activism in supporting a stronger relationship between Duke and its neighbors have led us to our enthusiastic endorsement. We believe Leah’s vision is well suited for both the Jewish community and the Duke community at large.
For one of the most storied rivalries in college athletics, this year's first matchup between Duke and North Carolina lacks some of the excitement that usually precedes it.