Ernaux commented, “Film truly captures life and people, even if film is silent.” This is the power of continuous images that blatantly present the unfiltered reality where decorum is barely utilized: Images become extremely impactful when one views them as a tool of reminiscence, and nothing is more brutally honest than the direct display of time through the lens.
The key to SKIMS success lies in its strategic collaborations with everyone from Jared McCain to Ice Spice. Kim Kardashian understands the gravity of star power.
With “Vultures 1,” it’s hard to tell if Kanye’s power is diminishing.
We have come so far in culturally accepting that women can do anything a man can do, so the idea that being logical is an inherently masculine trait is regressive and disappointing to see in the mainstream.
"Spaceman" has the pace and temperament of a film that has something to say beyond its plot but the execution of a Netflix original.
The "Kung Fu Panda" series is iconic, and the fourth installment definitely scratches the itch with great comedy, action and heart. Yet, it fails to meet the expectations set by its predecessors.
What do this year’s major award nominees tell us about the future of film and the Academy?
“36 Seconds: Portrait of a Hate Crime,” a new documentary recounting the aftermath of the murders of three Muslim Americans in Chapel Hill, detailed the Muslim community's fight for its classification as a hate crime. The screening at Carolina Theater was followed by a panel of legal experts that discussed the shooter’s prosecution.
It’s rare for people to focus on the positive and leave it at that — the 66th Annual Grammy Awards were no exception.
Is the hype over Stanley Cups about aesthetics and empiricism? Part of it might be. However, my own encounters with culture and accommodations have spun a different narrative.
Justin Timberlake’s recent single “Selfish” anticipates his forthcoming album, “Everything I Thought It Was,” set to release March 15. Unfortunately, Timberlake’s public feud with ex Britney Spears has overshadowed his music, and frankly, I’m not surprised.
Is the relationship between Taylor Swift and Travis Kelce a testimony of true love, or is it all a publicity stunt? Before the “Swiftce” romance, most Taylor fans had probably never heard of Travis Kelce. Now, Swifties are hosting Super Bowl watch parties because of him.
Overwhelmed with classes and looking for a way to de-stress? Ready to make good on your New Year’s resolution to pick up a new hobby? The Chronicle has prepared a guide of free art resources at Duke.
The choice by Glazer to make a Holocaust film about the family of one its most infamous orchestrators, rather than its victims, is as much a recognition of his inability to engage with the realities of Auschwitz as the Höss’ escape into their garden and playground pool. “The Zone of Interest” offers itself as a parable of the faults that plague us — a film as much about today as 1943.
"HISS" is far more than a diss track. Megan Thee Stallion has a firm grasp on the power of transparency, and she's emerged from her battles stronger than ever.
The feature film debut of Vietnamese director Pham Thien An, “Inside the Yellow Cocoon Shell” dazzles with mystically beautiful long shots that force the audience into Thien’s condition: the emptiness of craving the transcendent and coming up short... over the course of three hours.
"Duras Song," a musical experience centering the life and work of French artist Marguerite Duras, revitalizes the literary and musical power of Duras' words and creates a powerful message of childhood and memories, love and loss and traces of violence and colonialism.
Many students don’t know much about the different a cappella groups housed on our campus — so The Chronicle has prepared a comprehensive guide to a cappella groups at Duke.
The comedy series, which premieres Jan. 11, leans into the original films' characteristic R-rated humor while exploring the nuances of family dynamics.
On Nov. 16, student journalists across the nation were given the chance to interview the directors of the psychological thriller film “EILEEN,” featuring Thomasin McKenzie, Shea Whigham, Marin Ireland, Owen Teague and Anne Hathaway, in a college press roundtable.
