“Black Panther Will Return,” the credits tell us, in a phrase usually reserved for James Bond. But should she?
Maybe this is how social media can evolve into something better.
As a respite from midterms and essays, Duke Performances scores once more.
An aura pervades their skateboarding show. A mystique too complex and fluid to firmly categorize or define.
Even with the more modern cinematography, the score, and some minor plot tweaks, “All is Quiet on the Western Front” (2022) does not add much of significant value, essentially repeating the works that came before it.
I take no pleasure in coming away so unsatisfied from this film.
While “Midnights'' does mark Swift’s departure from the indie-adjacent albums that have dominated the last few years of her career, Swift’s trademark lyrics and heart-wrenching bridges remain.
Throughout the album, 21 feels like a paid 'street' emblem Drake desperately wants to brag about rather than a true collaborator.
In 2022, the number of distinct global podcasts exceeds the population of 15 U.S. states.
Morgen has no illusions about the impossibility of a definitive take; his recognition of that allows his film to be more personal.
"Even if making music for you is just like punching buttons on your phone, and then it spits out a song. That's great," Frederickson said. "That's making. That's creating. Everyone should be doing that."
Usually, the biggest compliment you can give a piece of media is that it left you wanting more. “Smithereens” left me wanting more because it didn’t give a lot to begin with.
To convey the themes of this play and show how Agnes’s life changes through the course of the campaign, the play switches between the D&D game and the real world, with most of the action taking place within the world of the game.
Chic, Colorful and 40 oz Margaritas… Need I go on?
Sometimes you have to turn your brain off.
Bridging the gap between two cultures divergent in their expressions of love, “Everything Everywhere All At Once” is an Asian story told through American sensibilities.
A sense of seasoned and controlled expression of sorrow and disillusionment permeates the entire 37-minute record.
“Pumpkin Everything” is gloriously baked — like a good ole pumpkin pie — in everything that’s hilariously sugary and sweet.
As SNL’s crucial 18-49 demographic becomes increasingly made up of Gen Z viewers, it faces another problem: it can’t seem to figure out what the new generation finds funny.
With Halloween fast approaching, many of us find ourselves in the mood for a movie which — scary or not — reminds us of the holiday.
