D.C. punk retrospective comes to Center for Documentary Studies
By Drew Haskins | September 2, 2014At the end of the 1970s, Washington, D.C., was moving away from the disco scene towards a bolder and more uncertain cultural landscape.
At the end of the 1970s, Washington, D.C., was moving away from the disco scene towards a bolder and more uncertain cultural landscape.
“An explosion is the most lasting thing in the universe.”
“Hail Malthus!”
Recess recommends five Duke Performances shows for the upcoming Fall semester.
Fundamentally built upon relationships, Rauschenberg’s works invite the viewer into an autobiography.
Project Arts, the newest addition to Duke’s pre-orientation programs, is scheduled to be up and running by 2015.
“Don’t come with preconceived notions about what dance–even modern dance–should look like.”
This year, Duke Players will be performing Erin Courtney's “Demon Baby” for their orientation week show. They hope the play's themes of adaptation will both welcome and comfort incoming freshmen...
On the third Saturday of every month, some Triangle residents carve out a little time to slam.
“Cole’s talk will touch on the personal and global themes such as population pressure in his native Lagos, the use of Twitter as an activist space during the Arab uprisings and the recent testimony...
The musical is both a haunting relic of historic mob mentality, and a looming prediction for its continuation.
Kristina Wong is a comedian and writer who has traveled across the country performing shows covering topics including laundry, suicide, cats and, soon, poverty in Uganda.
"In a typical year, I don’t know if this show would have been feasible."
Yesterday, on the Day of Remembrance of the Victims of the Rwanda Genocide, the names of genocide victims filled the air in an endless stream. Today, the air still echoes with names as we remember...
"Machinal," by American playwright Sophie Treadwell, debuted in 1928 but was recently revived on the Broadway stage and, tonight, will premiere at Duke's Sheafer Theater.
The Duke Colloquium is an opportunity for students to engage with ideas that are relevant to them, either professionally or in their everyday lives.
ChoreoLab 2014 will provide the platform by which the community can enter into the minds and hearts of dancers and choreographers from Duke as they put on spring’s main stage dance performance.
"I want this production to challenge the monolithic idea of Duke women.”
Technology and its ensuing impersonalization of our lives is making waves onto the stage at Manbites Dog Theater.
For years, history has defined and framed race in terms of color. Yet in photographic representations of race, our perceptions are refined by the interaction of the subject and the space she inhabits.